Wednesday, June 17, 2015

radio boise show #7

one long weekend out of town & it feels like about a month since the last show.
:: new music from crosss, like a rocket, band of skulls...
:: trax from albums that turn 25 this week, like deicide, biohazard, danzig, sonic youth, teenage fanclub, manic street preachers...

from the portland experience, i was introduced to reed college. reed still carries the ethos of a 1920s college education. the t-shirt in the bookstore featured the seal of the college with the three characteristics of "atheism" "communism" and "free love".  something about that by itself suggests something deep and insightful, not all about churning out cogs in the wheel, preparing a student for a workforce. instead, it is an embodiment of ideals encouraging people to think for the themselves.  which accomplishes two great things, makes people smarter, makes workers more useful. i know americans don't wanna agree with things like that, but just think for a minute about why it's better to work for, say, apple than mcdonald's.

also at reed, i was reminded of a great person that is the newest member of the rabble rouser hall of fame.

Ben Linder
Ben Linder mural at Reed College
a portland native, graduate of adams high school in 1977, ben graduated from university of washington with a degree in mechanical engineering in 1983.  shortly thereafter, ben moved to nicaragua to assist in works projects of building dams to provide fresh water and electricity to poor villages. the 1980s was a decade long war in which the u.s. government funded and trained the contras to overthrow the government and oust the sandanistas.  by every measure, the contras were brutal terrorists bent on destroying every element of society from churches to crops to especially electricity. they planted landmines on civilian roadways and basically engaged in any action that would intimidate the masses to not support the government. in was in the hostile environment of el cua that ben linder was working on a hydro-electric plant. in April 1987, Ben and two associates were killed at point blank range by Contra militiamen, specifically targeting ben because he was an american and what his mission was. as pointed to on liberation theology website,
The assassination of Benjamin Linder was part of a deliberate contra policy to murder civilians working in education, health and development programs. 
the dam was completed in 1994 with the help of ben's friends and family members. it now provides electricity and drinking water to thousands of people in the cua-bocay region. the memory of ben linder lives on well into the twenty first century. in 1999, joan kruckewitt published a book called The Death of Ben Linder: The Story of a North American in Sandanista Nicaragua.

Mark Angeles graduated on may 18 from reed college with a degree in chemistry and environmental studies. he was also a founder of the reed bicycle co-op, which provided bicycles to students in need. ten days after graduation, mark was killed in a traffic collision with a tow truck in southesat portland. during the recent reed class reunion, and on the day of pridefest, a memorial ride was held across campus and then to pridefest downtown. a lot of heavy speeches were given, all of which support the outstanding student as a beacon of hope in the world. one great quote i took away from it was one of his close friends relaying an experience they had shared together, capped by mark's words, "i'm so glad i did this. it was so good for my soul!"

Ornette Coleman
from the music's over, a tribute to the saxophonist:
Ornette Coleman was one of the true greats of jazz.  As a saxophonist, he pioneered what would become to be called “free jazz.” In fact, he is often credited with actually inventing it, or at least putting a name to it, after naming his 1960 album,  Free Jazz: A Collective Improvisation. Born in Forth Worth, TX., Coleman spent much of his early career traveling around the United States performing along regional jazz circuits.  Along the way he began to incorporate country blues and R&B into his sound.  In his slower pieces, his high timbre can come across as crying, which appealed to fans of the blues as well.  In 1959, while living in New York, Coleman released The Shape of [Jazz] To Come, and a year later, Free Jazz.  Both releases broke him through in a big way and laid the foundation for the avant-garde movement of the 1960s and beyond.   In later years Coleman dabbled in rock, even performing with the Grateful Dead on occasion.  In 2007, he became the first musician to win a Pulitzer Prize – for his album, Sound Grammar.  He continued to perform and record up until the time of his death.  Ornette Coleman was 85 when he died of cardiac arrest on June 11, 2015.
oregonlive re-printed this review of his 2006 album Sound Grammar following his passing.
a couple links to some of ornette's notorious works
Shape of Jazz To Come (1958)
Free Jazz (1960)
Change of the Century (1960)
This is Our Music (1961)
Science Fiction (1971)
Body Meta (1976)
Dancing In Your Head (1977)

stay tuned next week for insight into the world of doula's...

Thursday, June 11, 2015

radio boise show #6

this week is the 50th anniversary of a few notable albums in the classic rock canon...
the Beatles US release of Beatles VI
the debut album from Them, known then as Angry Young Them
and one of the most heralded rabble rouser classics the Yardbirds debut album For Your Love


the debut album by my own fav band of the invasion led by the esteemed Jeff Beck on guitar and Keith Relf on vocals. Eric Clapton gets a lot of credit for being in the band, though he only played lead guitar on three songs and left the band months before the album was released.
nonetheless, the quintessential garage band of the 60s.








as well, a couple of 25th anniversary specials, from this week in 1990, if i have enough time to throw in:
Dio's Lock Up the Wolves, featuring perhaps the best Dio song ever "Wild One"

r.i.p
from the music's over:

Allan Fryer is perhaps best remembered as the lead singer of popular ’80s Australian heavy metal band, Heaven. Following the death of Bon Scott in 1980, Fryer auditioned to replace him in AC/DC. It was believed he secured the role until a surprise announcement (at least to him) that Brian Johnson had in fact been given the job. Fryer went on to form Heaven whose sound was definitely cut from the same cloth as AC/DC, at least on the early records. They eventually grew into a more NWOBHM sound. Heaven found some success in the US, enough to tour with Dio and Motley Crue in 1982. Throughout their run, the band released four albums and also toured with Judas Priest, KISS, and Iron Maiden. On June 4, 2015, Allan Fryer died following a long struggle with cancer. He was 60.

to the left, enjoy a track from Heaven's debut album Bent (1982), or Twilight For Mischief as it was known in Australia.  a song about all the classics and the best kind of school there is!  "Rock School"











:: :: :: :: ::
and another one from the music's over:

Nick Marsh is best remembered as the co-founder and lead singer of ’80s goth/alternative rock band, Flesh For Lulu. Formed in London in 1982, the band quickly signed to Polydor who unceremoniously dropped them after lackluster sales of the self-titled debut. After a couple more miss-starts, the band signed with Beggars Banquet who was able to place their new single, “I Go Crazy,” into the popular John Hughes film, Some Kind Of Wonderful; the result, decent rotation on American college radio and their first tour of the United States. The momentum continued with Capitol Records soon releasing Long Live The New Flesh, which included “I Go Crazy,” as well as their second college (and MTV) hit, “Postcards From Paradise.” In 1989, they scored their biggest hit single with “Time And Space,” after which Capitol dropped them for reasons unknown. The band soon split up. During the mid ’90s, Marsh resurfaced fronting a new band called Gigantic, which failed to repeat the success of Flesh For Lulu, so they disbanded a couple of years later. In 2013, Marsh reformed Flesh For Lulu who toured clubs to the cheers of longtime fans. On June 5, 2015, Nick Marsh, 53, died of an aggressive form of throat cancer.

Marsh did get to live long enough to witness Ringo Starr stealing the name Postcards From Paradise for his own new album. tonight, i am gonna play a track off the self-titled Flesh For Lulu album (1984), the second, and last, on polydor. you can hear from this track that it's unreal they were dropped from the label due to commercial failure, i would guess that the label didn't promote them well enough. so enjoy this track "Subterraneans"







and last, but not least, Ronnie Gilbert of the Weavers has passed away in California at the age of  88. the singer with a conscience, provided a lot of great protest material. here's a track from a 1963 UAW records compilation of union fight songs, Ronnie Gilbert singing of the wobbly songster (and rabble rouser hall of famer) Joe Hill, who was killed by the state of Utah after being framed for murder in 1914 in Salt Lake City.




Thursday, May 28, 2015

radioboise #4 show highlights

to start with, a poem from Edith Moore...
White people and their identity
crisis
Society's requirement for
license
So hard you cant even get your own food without a crisis
And now everybody
fights it
bow your head and make good with
Isis
The goddess that is, Fuck terrorists
Put some holes in a box and save
feral kits
Buy used clothes and make them fit
to save your soul from the bull
shit
I'll spit
To the day that we fit
all the freaky people like a
puzzle
cuz not a single one of you is better than
the other
If you think you are you got another thing
comin'
Give it up or give some Lovin'
Hon.
here's to the day we fit all the freaky people together like a puzzle!

=========================================================

another spectacular ranchfest has come and gone.  especially notable was finally getting to see two bands that i had been itching to see for a long time.

marshall poole... they've been my fav local band since i met them at treefort and picked up their "grade aa rock and roll" cd.  two months later, here i finally see them play.  and man!  these kids, i can can call them that...i'm just a kid in quotation marks. these three kids are, barely, if even, old enough to enter the venues they play. accordingly, they are students taking to heart all the lessons the music industry has to teach. but they are not sloppy rookies either. they're down right dirty blues rockers with soul that buddy guy might be proud of.  out of everyone that played ranch, marshall poole was the band most talked about, during and after the festival. here's to seeing legends of the local scene grow up right before our eyes!

hallowed oak... i would like to remind and/or make aware the fact that on my top 14 albums of 2014, hallowed oak was #1. the band had relocated from fort collins to boise last summer, so with my being in eastern oregon (at the time), i kind of assumed i was being biased. that was until i realized that not one of the 20+ lists from radio boise or record exchange had hallowed oak anywhere on their lists. (never mind what that might suggest about my qualifications and just listen for yourself.)
one of the most exhilarating feelings is to stumble through a field of  sagebrush and slip up a muddy hill with the anticipation of seeing something live that moved you so much thru headphones and then walking into a barn, straight up to the front of the stage while the intro to the first song plays. and you just stay floating there the entire time. that's the magic of music. hallowed oak made magic.

another thing to remember about the ranch is how amazing something so inauspicious can be. i'd like to share (to the right) a piece my buddy dave in ste. genevieve, missouri, sent in from the ste gen herald letters to the editor.

all i can say about this is...
exactly! if you're not part of the planning, you can't complain about the results. in boise, we kind of have a red carpet as far as events constantly going on, but that all takes a lot of hard work by people that really want nice things. once you get out of town, it becomes easy for people to complain that there's nothing to do. but, i'll tell you what. if a little unheard of festival in a desolate sagebrush prairie in camas county can be the coolest thing to do all year no matter where i go, that's testament to the fact that the only good things that happen are the things you make happen. if you're bored or if things aren't going next way you think they should, then by all means get involved and change things.
get ranchy!

=========================================================

r.i.p ~ lynn "twinkle" ripley (july 16, 1948 - may 21, 2015)
the UK teen pop star of the mid 1960s had a quick rise to fame with six singles on decca records. she wrote her first single "terry" at the age of 14. the song about a boy who died in a motorcycle crash was a popular theme of the day and similar to the shangri-las' "leader of the pack" which was released a few months after twinkle's song.  "terry" was banned by the BBC and the tv show ready steady go for being in poor taste.  that attention helped "terry" shoot up the charts, sending twinkle on tour with the rolling stones and making her an overnight sensation. but as quickly as fame came, it was gone and she retired from the music biz at the age of 18 in 1966. the unnerving nature of performing live, touring with dirty rock and rollers and especially pressure by record execs took the thrill out of the craft.  music producers pressured her to record songs that were written for her, instead of by her, to attempt to achieve the commercial success of "terry."  twinkle had said, “after golden lights [her self-penned second single], nothing i have ever done has been to my liking.
twinkle made a few well received comebacks over the years, but mostly kept out of the public eye. she passed away on may 21 after a five year battle with cancer.

=========================================================

indie rock band surfer blood has a new album out, 1000 palms, on joyful noise records. they also, unfortunately have a band member, guitarist thomas fekete who has quit the band due to a rare cancer that has been spreading. the band has taken on many fund raising projects, such as a benefit concert at bowery ballroom and started a gofundme site to help with expenses. they also have been accepting cash donations at concerts on tour. while passing thru illinois last weekend, this happened in a whole foods parking lot...

Dear Fans,

We deeply regret having to inform you this, but our van was broken into today in Schaumburg, Il just outside of Chicago. Not only did we lose thousands of dollars in personal items and show settlements, but we also lost all cash donations we collected for Thomas over the last 8 shows at our merch table. This last detail is perhaps the most heartbreaking of all in that so much positivity and amazing generosity could be ruined by one bad person(s).


Most of our large musical gear was not stolen and the shows will still go on as planned.


There are a few one-of-a kind guitar pedals to please keep an eye out for-- not for their specific value, but for the fact that these are unique and recognizable items. If they are found at a pawn shop or private seller, everything else including the more serious items are likely there or somewhere nearby.


Thank you for all of your support. You help us all stay positive in the midst of something so discouraging.

                                                                  Much love,

                                                                  SB

luckily the show can go on and only about $700 of the funds for fekete were taken. but man, junkies and thieves sure are worthless. to steal from a person's livelihood, not to mention their ability to continue living, is the lowest of the low. that money and those effects get the thief nowhere. in the best case scenario, a person can only make their life more unstable by setting the earths energy against themselves. no one can possibly be desperate enough to resort to this kind of theft. yet, it happens. i'm not sure whether to feel worse for the band or the thief. godspeed be with surfer blood and thomas fekete.

=========================================================

rabble rouser of the month will be a person from oregon. and for the first time in a while, there will be a vote. recall last week, the story of makaila ragan, a tillamook high school student who responded to homophobic protesters with her own sign and ended up garnering the support of the entire town. the power of the protest is one of the most wonderful things of the ridiculous times we often live in.

well, this week, we have a more sarcastic form of protest from pendleton. recreational marijuana will become legal in a matter of days in oregon, but not all communities must treat legalization equally. pendleton city council has imposed a code for fines if a neighbor complains about the smell coming from a smoker's property. well, peter walters, a very conscious and concerned citizen, sent a letter to the editor of the east oregonian to request that they now place a ban on the far more noxious smell of farts. huffington post picked up the story, and then peter let off some steam on lars larson. thanks to peter for calling ridiculous laws into question. here's hoping it makes brainless city leaders come to their senses.

=========================================================

i'll leave you with some contemplative thoughts.
from l'envoi, oscar wilde's 1882 introduction to rennell rodd's rose leaf & apple leaf ... "one's real life is often the life that one does not lead." or, in a similar vein, as yoko ono tweeted on tuesday, "is reality always more real than what we create?"

Friday, May 22, 2015

#3 show highlights

now that i've started to get my feet wet at radioboise, the third installment of the rabble rouser show should be as much a treat to listen to as it was a treat to put together. hope you'll enjoy. the archive will  be available by monday on the internet archive site or the mixcloud site for a short time.

r.i.p. Ian Curtis (may 18, 1980)
singer of the legendary underground new wave both industrial band joy division, i'd like to think frankebryan, host of monday night's return of the disco witch hunt for turning me on to the fact that this week was the the 35 anniversary of curtis' passing. it seems like every year i learn this and then it slips under the rug again, but alas 5/18/1980 is famous for more than just the mt. st. helens eruption, its also the date that ian curtis committed suicide and the goth world in particular has not been the same.  often imitated, never duplicated, joy division was a one of a kind acted still revered 35 years later.

r.i.p. BB King :')
the blues king left us last thursday.  i don't want to undercut the legend, though i'm not so quick to refer to him as the greatest. think: robert johnson, willie dixon, howlin' wolf, bo diddley, muddy waters, mississippi john hurt, etc etc etc.  there have been so many greats, it's nearly impossible to pinpoint a best one. if cornered in a dark alley, i'd probably defer support to willie dixon as the king of the blues. but the man before us today, the venerable bb king illustrates well one of my frequent claims. the period from 1966/67 to 1972/3 was the ultimate golden era of music. almost everything recorded during that period was the best music ever made. and since 1972/73, the music world has rested on those laurels. bb king truly exemplifies this fact as well...

king had made a name for himself since the 1950s, but it was in 1968 he first crossed over into the mainstream. this was partly due to the burgeoning psych rock movement that was paying homage/stealing from the great 50s blues artists, but king certainly cashed in on this exposure to another crowd. it also seemed to have correlated with his rise in the r&b world as well.  the r&b charts were newly established about 5 years previously, which is a different story in its own right, but bb's 14th album "blues on top of the blues" (rel. 1968) featuring classics "heartbreaker" and "paying the cost to be the boss" went to #46 on the r&b charts, marking his first appearance on a music chart. later in dec 1968, he released "lucille" named for his distinct brand of gibson es-355 guitar that seem to produce the prototypical blues sounds on their own. thru the extra exposure king received by playing live with eric clapton and then being the opening act on the rolling stones 1969 u.s. tour, king's popularity rose dramatically for his 1969 album "completely well," raising the ante on his career with his most legendary tracks "thrill is gone" and "confessing the blues." trying to up the ante, his producer brought in an all star cast for his 1970 album "indianola mississippi seeds" about his hometown. bb always considered it to be his finest work and, indeed, the album reached #26 on the pop charts, #8 on the r&b charts, and #7 on the jazz charts.  after a couple well received live albums, king came back with "l.a. midnight" in 1972 featuring taj mahal that was a focused blues/jazz album that is perhaps my favorite of all. by 1973, when the rest of the music industry committed suicide, king hit the superstar circuit and basically toured on the strength of his late 60s/early 70s output for most the rest of his career.

i do certainly that when buddy guy passes on, the world looks back on him with as much admiration and gives him as much retrospective attention as they gave bb king this past week. buddy says bb was the best, but bb probably said buddy was the best. not to get carried away mourning the dead, buddy is a legend still with us. he is also still touring and will be around the pnw this summer. not coming  to boise, to my knowledge, he will come relatively close.

spokane, july 7 at the martin woldson theatre. and in billings july 31 at the magic city blues fest.


maiden voyage by herbie hancock
a jazz staple turned 50 years old this week. most every jazz aficionado touts it in the top 10 albums of the 1960s as do many listeners of other genres. the atmospheric concept album of sea faring, was a quintet of five of the greatest jazz musicians of their time: hancock on keys, freddie hubbard on trumpet, george coleman on tenor sax, ron carter on bass and tony williams on drums.







rabble rouser of the month nominations:
#sHELLno #PaddleInSeattle


photo: reuters / via common dreams
hundreds of people took to the waters of elliot bay over the weekend to stage peaceful protests vs shell oil, who has been granted conditional approval to drill in the arctic this summer.  one of shells's oil rigs for the expedition arrived in port recently, while the other waits for clearance in everett. the port commission recommended the vessel stay out while the port challenged a ruling to keep them out. the seattle mayor has lobbied hard to not allow shell to moor in the port.

alli harvey says, "science is as clear as day when it comes to drilling in the arctic - the only safe place for these dirty fuels is in the ground." a day of peaceful disobedience on monday attempted to block shell's presence in terminal 5 at port of Seattle, a major point of contention between the city and environmentalists all year long.  activists have pointed to shell's failed attempts in 2012, which aborted their 2013 drilling, as evidence shell couldn't respond to a spill. shell has "unleashed a very robust opposition movement," said eric de place.

the stranger followed some of the action with a collection of tweets, including  "TV is up there. we're down here. follow alternative media." renny reep of seattle's raging grannies was quoted, " we're building a movement. and this is how it starts."

jennifer pawluck
the montreal instagrammer has been given 100 hours of community service and 18 months probation for posting a picture she took of a piece of graffiti that features a policeman with a bullet in the head. one has to wonder if they get probation for posting a pic, what would be the punishment for actually getting caught making the graffiti?

makaila ragan
a tillamook high school student started a somewhat unintended wave of support by joining an anti-gay protest with her own pro-gay support at the main intersection in tillamook.


other interesting facts:
on this date in 1924: bobby franks murdered by leopold and loeb in what the pair intended to be the "perfect crime" that turned out to be less perfect in leopold's pompous attitude about the facts of the case.
on this date, two major crossings of the atlantic. in 1927, charles lindberg completes his solo flight and in 1932 amelia earhardt completed her solo flight.
fats waller was born 111 years old today.
mr. t is 65 years old today.

Friday, February 27, 2015

february rabble rouser(s) of the month: carol burris & the opt-out dissenters


no child left behind mandate of 2001 paved the way for upping the ante in standardized testing on the common core subjects over the last couple of years.  the “common core” are a set of high-stakes principles by which all students are evaluated in basic education subjects, like math and science. with the new PARCC tests to begin in 43 states in march, some very heated debate has sprung up.
proponents say that each state having their own standards has created disparities and a common core can unify the standards.  theoretically, a strong standardized system would keep elementary thru high school students up to speed nationwide. frustrated parents, students, teachers and other opponents such as the harvard graduate school of education insist that the exam process has been corrupted and that public education has become distorted.  in the case of evaluations, one size does not fit all, and there becomes a loss of creativity and individualization. students are not universally prepared and, in fact, 65% to 70% are likely to fail.  the PARCC, in addition to to other standard tests such as ACT, SAT, AP and others, are sapping students and depriving teachers of days to actually teach.  high-stakes education have also been correlated with high drop out rates.

a standardized system is criticized for being run by bureaucrats (“fed ed”) rather than local educators.  “the further we remove these decisions from the students, teachers and families, the people closest to the school, the more we see our schools failing and we’re not getting the results we want,” cheryl boise of pennsylvanians restoring education was quoted in penn live in 2013. the gripe has been that the raised standards cannot be met without adequate resources, which sets certain schools up for failure and puts schools at risk of closure and teachers out of work, only to be replaced by for-profit charter schools.

tens of thousands of students from new york, colorado, pennsylvania, ohio, oregon, and others started the dissent back last year, but with testing set to begin soon, “opting out” has become a major trend this month. vindy.com has listed many examples of protest, such as an ohio middle school teacher calling out the “bullies” for warning of consequences for students sitting out exams. for better or worse, standardization has created a federally-funded system. the federal government has proposed repercussions in loss of federal stimulus for states that do not adopt the changes. in fact, the state of washington was stripped of it's NCLB waiver last april.  opponents say taking funding away creates a disparity similar to what the testing is purported to avoid.

there is not even consensus from state to state whether it is legal for parents or students to opt out. the repercussions for not participating are widely varied with some states having no policies and some cutting off funding.

websites such as fairtest.org and unitedoptout.com has risen to encourage an end to government mandated education reform as more and more parents across the country are pushing for opting out. carol burris, new york's 2013 high school principal of the year, wrote an eloquent op-ed for the washington post on february 19, in which she broke down the various factors for why testing is killing education and then stated, “i am a rule follower by nature. i have never gotten a speeding ticket. i patiently wait my turn in lines. i am the product of 12 years of catholic schools — raised in a blue-collar home where authority was not to be questioned. i was the little girl who always colored in the lines. but there comes a time when rules must be broken — when adults, after exhausting all remedies, must be willing to break ranks and not comply. that time is now. the promise of a public school system, however imperfectly realized, is at risk of being destroyed. the future of our children is hanging from testing’s high stakes. the time to opt out is now.

apparently, the government is listening and trying to react to the protests.  the governor of florida has acknowledged that schools are saturated in tests.  perhaps most notably, secretary of education arne duncan has asked congress to rewrite no child left behind to limit standardized testing.

students in sante fe, new mexico protest at the
public education department on feb 24.
(eddie moore/albuquerque journal)
billboard on the street in long island, ny on feb 13. (from: thepjsta.org)


Monday, February 2, 2015

Seahawks gripes, #GetOverIt

perspective for the ungrateful monday morning armchair Seahawks fans and sports bloggers:

criticizing Pete Carroll for getting the team within 1 yard of winning back-to-back super bowls is like bitching about winning the lottery.  just in case anyone thinks they can do the job better, the Seahawks won't be accepting applications for at least a decade.  7 different Hawks coaches in 33 years won a total of 7 playoff games, Carroll has won 7 playoff games in 5 years with the team.  fans of 30 other NFL teams will gladly take that problem.

here's a great nugget: the Chiefs beat the Seahawks and Patriots this year, but didn't even make the playoffs.  in fact, the Chiefs have beat the Hawks 20 of the last 26 games, yet the Chiefs haven't won a playoff game in 21 years and haven't been to the super bowl in 45 years.  you know how much they appreciate whining Seahags?  they are just itching for the next chance to prove who the better team is. Hawks fans need to have more gratitude for being a marquee franchise right now.


probably the play that built up all the frustration in Irvin (51) that caused him to erupt at the end of the super bowl. 



Sunday, February 1, 2015

rabble rouser of the month :: january 2015


cassandra fortin (aka cassandra c)
  a 17-year-old girl was diagnosed with hodgkin's lymphoma last year.  she decided to not undergo chemotherapy to eradicate the disease.  the decision was supported by her mother, but not the state of connecticut.  cassandra was then kidnapped, taken to the hospital and given radiation treatments. basically, she is opposed to the poison used for treatment, doesn't want it in her body, and doesn't want to further put toxins into the ecosystem for her own supposed benefit.      this isn't a terribly rare scenario.  it's just that complicating factors like pregnancy, religious beliefs, "first nation" rights, different state's and nation's laws all give different underage people different rights.  and in connecticut that seems to mean that cassandra is not allowed to make decisions for herself that other people elsewhere may or may not be able to make.
     meanwhile, someone over the age of 18 can choose to commit suicide to end their pain, such as brittany maynard did after moving to portland be able to "die with diginity".  brittany became a national celebrity for refusing cancer treatments.  i am not judging brittany's case and imagine i would have done a similar thing, but it is a contradiction to villainize one person and glorify another for essentially the same thing just because one is 12 years older than the other.
     and let's certainly not suggest this is about the government wanting to care for citizens.  a queensland father is looking at jail time for giving his dying daughter cannabis oil even though the result was a great improvement, much like angela brown and her son in minnesota last year.


runner up.

     good old fashioned pranksters from toronto, (kyle forgeard, jesse sebastiani, niko martinovic and marko martinovic) pulled a stunt on LAPD, in which they videoed themselves offering to sell coke to people near the beach.  then, when the cops show up, things get goofy.
after announcing that they have a bunch of coke in the back, the kid in back says somewhat offhandedly,"i didn't know you couldn't sell it like that tough." in response, the female officer says, "will figure it out man, just relax." her response alone got endless chuckles from me.  after checking out the car, finding only coca-cola, the cops are seen laughing, joking and shaking hands with the pranksters that they naturally let go.  the only problem came from the posting it online to much criticism, including the LAPD who weren't laughing about it in hindsight.
     certainly, the video has been criticized by more straight-laced people as a waste of police time. perhaps that's a justifiable rationale, but taking the video on it's own accord,  the acting is priceless. straight-faced, they are so convincing in pulling this off.  no doubt they could probably have a decent career ala the jerky boys or jackass type schticks.

Thursday, January 8, 2015

december 2014 :: rabble rouser(s) of the months

december 2014 news featured two stories prominently.

i would like to honor the sony hackers because it is tomfoolery at it’s most sophisticated. and we certainly can't let it be forgotten how awesome it is to have high ranking executives called to task for unprofessional behavior revealed in their emails. however, the unknown hackers did apparently promote violence and are seen as a “terrorist” organization. that is not to be supported on any level. now, it seems rather apparent that the north korean government is not behind this, but sometimes trusting the government is not a bad idea. so, we take the governments warnings at face value and assume that this is a great matter of national security in order to be sensitive toward the american way of life. so, the rabble rouser of the month award goes to other main news story.

throughout the month of december, in opposition to the grand jury non-indictments of recent police actions, people from the cleveland cavaliers, to the oregon ducks basketball team, st. louis rams, to all other sects of society have worn shirts, staged die-ins and all other support for the #BlackLivesMatter issue. perhaps the best was from the #WhiteCoats4BlackLives protests. medical schools all around the country protested enmasse for the cause, such as the chicago school of medicine:


the protester was time magazine’s person of the year in 2011, due primarily to the memorable occupy wall street movement that expanded to nationwide camps protesting elite corporate control over the people. that movement has not died over the past three years, nor is it anything all that new. it started in this country with the revolutionary war, or actually with the first siting of white men. modern day, it gained a bit more steam with the anti-WTO protests in seattle, 15 years ago in late 1999. that kind of struggle will always continue. that is precisely the kind of struggle that lives on in the protests of ferguson and #BlackLivesMatter protests. incidentally, the ferguson activists were time magazine's runner up for the 2014 person of the year.

this struggle has been anything but universally supported. some people don’t get it. opposition to the cause has been fierce. "what do they have to protest?" "why aren't we protesting #AllLivesMatter?" "michael brown was a thug that got what he deserved." these were all questions that i heard on repeat. certainly, i don't have all the answers, nor should i have very many at all. i live in the middle of nowhere and have barely delved into any of this. i do get to see a different side of people that are completely detached from the news worthy world and it’s interesting to think about these things from a location where nearly everyone can afford to live equally.

on the surface, people in ferguson and elsewhere around the nation were protesting the killing of michael brown, but there is such a deeper level to be considered. if what protesters had to say was only about one kid getting killed, and it was police evidence versus citizens observations, it wouldn’t have spread to every city in the country. thousands of people don’t take to the streets in every city of the country on thanksgiving day, on christmas day, to protest for the fun of it. when that many people put their lives on hold that is an indication that there are real problems and the voices need to be heard. the saddest part of michael brown is that the people will never know the truth. so much was covered up and so many significant questions that people continue to ask will never be addressed.

regardless of what actually happened august 9, 2014 in ferguson, the aftermath has been ugly. and if people can’t trust the police or media handling of events in the aftermath, then there should be little reason to trust things were done honorably in the first place. what people are really protesting in ferguson and everywhere else is the fact that the media and certain sects of society have turned a blind eye, for too long.

the reason people chant #BlackLivesMatter and not #WhiteLivesMatter is because white lives are largely protected and precisely the civil rights that have been such a hard fight don't seem to have progressed very far, if anywhere at all. ny daily news had an article showing 179 people have been killed by NYPD cops since amadou diallo, with only three convictions. and it’s not just the numbers, it’s the manner in which they died. consider some then vs now scenarios:

1999: amadou diallo was shot 41 times by NYC cops. he was unarmed, though even if police needed to disarm him, taking him to the butcher is not the way that should be condoned. 41 shots is clear case of hatred. the four policemen were eventually acquitted of any wrongdoing and the city of new york paid a $3 million settlement to his family. 1997: abner louima was arrested and then beaten to the point that during his interrogation in the precinct bathroom, a police officer shoved a broken piece of a toilet plunger up his rectum. that is beyond any rational interrogation method and shows a blatant disregard for humanity. in that case, the main officer responsible was sentenced to 30 years in a minimum security prison. but, who has learned from it?

2014: eric garner, who was wanted for selling untaxed cigarettes, was approached by police, who promptly strangled him to death on the street. is that an executable offense and are the police judge and jury? the protocol would be to put handcuffs on him, search him and place him in the back of a patrol car. not only did the video corroborate that the police acted irrationally, but the person who took the video was indicted in an apparently separate charge, while the evidence, including garner's autopsy, showed that the police used a banned choke hold, no indictments were given by a grand jury. also in 2014: michael brown was killed by police, controversial as it may be, the police still left his body in the street for four hours. there is no excuse for such a blatant disregard for human life. even if he was a "thug" authorities still need to be held to higher standards, and again i wonder, if they couldn't even get that part right, why should i assume that they got any part of the situation right?

then, as now, such examples, such stories happen everyday in cities across america, continuously. gawker gives detailed information of 69 cases of black people killed by cops since 1999 in less than humane fashion. and not to worry if 69 people doesn't seem evidence enough, there are at 713 replies, mostly of people that were not the list.

consider another time capsule:

1969: fred hampton is assassinated by the chicago police. FBI agent gregg york said, “we expected about twenty panthers to be in the apartment when the police raided the place. only two of those black niggers were killed, fred hampton and mark clark.” does this not show a clear case of hatred?

2014: cleveland area police officer aaron mcnamara wrote on youtube, “abolishing slavery was the worst thing we could have done. these people should be exterminated.”

if these examples don't show a problem with racism consider a critical fact in CNN's statistical analysis from early december. they showed propublica's statistic that, "the 1,217 deadly police shootings from 2010 to 2012 captured in the federal data show that blacks, age 15 to 19, were killed at a rate of 31.17 per million, while just 1.47 per million white males in that age range died at the hands of police."  that is more than statistically significant. that is mind boggling. very clearly, there is a police bias against black people when young black people are 21 times more likely to be killed by police.

anon put the matter astutely when they compared the #AllLivesMatter question to an analogous argument of feeding the hungry. instead of saying “we should feed the poor and hungry” try saying “let’s feed all people”. that's how inane the #AllLivesMatter argument is. there is a time when certain things matter more than others. and when black people feel that they are still living in the 1960s and evidence clearly can support that, then that’s not progress. they feel they deserve some attention and to be treated equally.

that’s why people have lost trust in society and are taking to the streets in protest. the idea of protesting just happens to be more prevalent now than it was in, say, the cocaine addicted 1980s. the memories of hundreds of people who died needlessly and continue to die needlessly is a cause for concern and has finally reached a boiling point.

still, to say this is a race matter is partially the case, but a bit shortsighted. in the end, most of the problems, including these protests, can be linked back to the subjugation of people in lower classes. when people go on prison labor strikes, hunger strikes, minimum wage strikes, these are not spearheaded by people like al sharpton. these are spearheaded by people sick of extreme and vile conditions, by a society starting to suffer collective PTSD. the al sharpton’s are simply some of the people capitalizing off the melee.

that is why this is not so much about race, as about a battle of the haves versus the havenots. and it so happens that people of color are mostly in the have not category. to that end, this could be considered a race issue. still, it is mostly about the little guys getting fucked. people are tired of it. that’s why these protests have been going on so long. thanks to social media and the ability of everyday people to go out and show the truth in the streets straight from their cell phones, major media has become less relevant and the struggles have been more pronounced, more advertised and getting more attention over the last few years. as long as the bullshit justice continues, expect the protests and riots to continue. no matter your opinion on the protests, the fact that they will continue is evidence that there is a lot of bullshit at play.

Friday, January 2, 2015

best albums of 2014: #6

willie nelson band of brothers (legacy recordings)

even at 81, willie can still churn out records with the vivacity of his days leading the outlaw country movement at the dawn of the 70s. even though he is over 80, he can still confront the world with his grin and bear it and roll with every punch. the track sequencing seems a bit off, it could have grouped more similar songs together, but i guess after hearing so many albums that are concept albums, or otherwise arranged around a central theme, this seems more like a greatest hits album. then again, even though willie is the best country musician of all time, he can’t be expected to produce a red headed stranger every time. and making an album of all new tracks for the first time in maybe a decade that sounds like a collection of greatest hits is a remarkable achievement in its own right.

as a cohesive whole though, the focus tracks promoted to radio stations that begin the album, serve as an introduction to the real collection of songs. not to shortchange those first seven songs, by any means, they all come with willie’s amazing signature melodies. the wall and whenever you come around are the only times willie suggests a vulnerability. wives and girlfriends contains the kind of humor that only willie can get away with. the song would have been banned in the 50s, and might even be in some states today.

still, it’s the midway point when the album really gets started on the twangy honky tonk song used to her. then willie hits with three straight hard blues songs that preach timeless truths. willie has always been at his best with a sidekick, so it’s a wonder that git go, featuring jamey johnson, is the only duet. but he pays homage to the entire inner workings of the industry on the title track band of brothers and relents that there are truth tellers and people that speak the most on hard to be an outlaw, both songs make a little stab at the industry leeches. he gets back into the honky tonk comedy on crazy like me to make a caricature. the penultimate track, the songwriters, is also the ultimate track that sums up willie’s work the best and tells of all sides of having a superstar’s life. in the finale, willie wraps up the various moods and topics of the album into a concise sayonara song, which is refreshing in its implication that there is much more to come.  there can, of course, never be too much wille nelson.


best albums of 2014: #5

 black lips – underneath the rainbow (vice records)

underneath the rainbow benefited heavily from the time it was released. record labels tend to release the most powerful albums january thru april. presumably, the late winter, early spring, time frame drives summer tours and the chance, particularly for rock and roll albums, to become teenage summer anthems. this album is, in all accounts, a teenage summer anthem. in retrospect, though, the later months of 2014 served up more joyous records (in my experience that hasn't heard so many of the *major* indie records). with lesser albums in spring, underneath the rainbow spun more freely on my tables. even better, hearing this on my buddy’s boom box in the garage hit straight in the heart of a rebellious youth.

true to black lips psychedelic form, they continue to fuel fun-loving pranksters, and are maybe at the pinnacle of such form. less reverb-drenched than previous efforts, black lips are much more accessible to a wider audience, giving even older, jaded, listeners a reminder of what still can exist. it was recorded in three different eastern locales by different big money producers (from the likes of the dap kings and black keys) giving this album a slicker polish than previous black lips albums and may even speak to average teenagers better.

the entire album is full of kooky grooves and catchy lyrics and themes about cruising, getting busted, chasing girls, ditching school, smoking, partying all night, an whatever things such an album supposed to talk about. despite or maybe because of juvenile lyrics, the dance-ability factor juices the album up in a decidedly playful way. but play it in the garage rather than the car, lest you really look like a teenager roaming the streets and, you know, get busted.

my experience getting to see black lips for the first time came later on in the year. it was as refreshing as being high school-aged again. the one thing i long for that the midwest offers better than any other part of the states is the dingy, garage rock clubs. portland clubs may sell cheaper tall boys, but not even the tonic lounge, or slabtown (r.i.p), or satyricon (r.i.p), could ever come close to matching dimly lit, month-since-washed denim stench, damp sticky beer drenched hard wood floors of just about every rock club located in a 500 mile radius of missouri’s borders. places like iowa city are magnets for the best garage rock, always have been and probably the reason why bands that don’t tour out of cascadia can't ever get the proper sound. that’s a comfort of home, right there. the black lips a comfort of youth.


best albums of 2014: #8


for starters, before even playing the reocrd, the cover artwork captures the ideal the playboys are going for in making an old country record. the cover photo of a couple square dancing on a belt buckle on a satin background feels post-war americana. and the back cover emulates perfectly, the dawning age of home entertainment, right down to the small print describing the manufacturing process of the vinyl. the blue vinyl, however, is a deviation of form and the story of the mine disaster approaches ridiculousness. yet the story illustrates the band's dedication and is the right humor to present a caricature of human spirit in a time before the robotification of man. the sadness of the human demise is carried straight into the music as only country blues can offer.

if there was ever any doubt about the playboys ability to recreate a new, but genuine 1950s country album, that doubt was quickly blown off from note one. side one is a perfect record in every way. the production was earnest with well-seasoned professionals sean ogilvie and levi cecil on hand. that’s the main aspect in which the playboys have advanced from their 2012 self-titled album. many splendored things isn't better or worse, but a different project entirely that needed different ears and recording skills.

laura gibson’s appearance on the first song, the other way, is pure time travel since she is about the only person alive that could match kitty wells for substance. country radio (when that was real music) would have used i’ll be around as the promo single, for showing off the entire band first in the guitar and piano solos, but mostly peter walter’s sax as the added pepper. it was not needed on the album, but it does, for a moment, turn the otherwise drunk, love-sick balladeers into a swing band. and that up tempo spirit is needed to sell records and get bookings in ballrooms. the addition of the psychedelic country song in your mind allowed kindle to put his own stamp on the genre. it is perhaps my favorite song on the album. the repeated kaleidoscopic noodling at the end is a fair addition for a crooner gone overboard, but damn them for pressing that laugh, followed by what sounds like an elbow to a piano key in the last groove at the label. try waking up sweating at two in the morning with that still spinning. a love affair gone awry feels better. at least that possibility of the technical tomfoolery separates the record from its cd counterpart, which could not have been present sixty years ago.

side two starts off as promising as side one, but quickly becomes somewhat of a different record, though it still follows the old country album diversity, a little like tom t. hall records maybe. laura gibson is given a solo of her own on let’s pretend we’re strangers, which, followed by kindle’s sassy reply in the chorus, makes it about the heaviest hitting song on the album. but the song sets up a regrettable part of the story. considering the production, the seedier side of life in i only… (the song i can’t stomach enough to finish the title) and brain cells should be no surprise, but go beyond the subtle charm of an older age, even those that sang about the typical destruction. the mood is recaptured with the rendition of louis armstrong’s we have all the time in the world. cover songs are a tricky business and often ruin records, but the playboys do turn it into an appropriately sad county ballad. plus, it is a perfect choice of song to close with, leaving an aftertaste of a trashed and empty ballroom the morning after. it completes the record’s homage to a time nearly forgotten.


best albums of 2014: #7

 strangled darlings – boom stomp king

strangled darlings have had three albums on the rabble rouser year end lists over the last four years. seems to be an indication they need to be more widely listened to. one mandolin, one electric cello, no effects, george veech and jess anderly have produced their most stripped down album yet.

it takes a real effort to figure out what most of these songs are about. then again, that seems to be the main point of it all. the majority of the album is an expose on how humans have lost touch with their own nature and spirituality. real needs have been replaced by an artificially produced life, mass marketed and cheaply purchased. ideals like freedom only exist in far away places that individuals have no hope of reaching. yet, even those few who are lucky enough to have material wealth, to be able to roam in open space, or even in their own minds, share a blindness to the fact that every single one of us is part of a bigger plan, and that’s just considering this physical human form. the wanting of more and more of this life, without any true appreciation of the fragility, is a common thread on the album.

i divide this nine track disc into two halves; the first four and the last four. the middle track, bunnies, is the only one where the brief period of true living exists, and it is only sort of hinted at. if the last half of the album is related to the first half, it’s in the telling of the sad end, the decay after the world has taken its toll. the time on earth is short, the end is hard, but there are hints, particularly in the tone and in the final song river of love especially, that it isn't all bad. there is some relief and ultimate freedom after the last yard sale.

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here is a message from strangled darlings, which came in an email just this morning.

Hello far flung friends!

Six months ago, on the longest day of the year, we left our hippest of twee cities to move into a 12 x 18 foot rolling green room & new home (Code name: Shakeyhouse). The American RV, with it's timeless brown swooshes bedecking the sexless square walls gets a new type of client: The Indie Band. We are reaching out to you dear listeners, Steve Albini style, in an effort to eschew acts of corporate greed, ripped mp3's & sheer musical monotony to deliver something live to you from Strangled Darlings.

Since that auspicious Solstice half a year ago, we have logged 14,000 miles, playing 85 shows in 29 states in ShakeyhouseRV. I am happy to report the toilet still works & no one has been murdered. Instead we shall winter in sunny Florida with stops in Alabama & Louisiana.

The funtimes with snow birding will end in early March as we climb northern the to salt crushed roads of the midwest and the True/False Festival in Columbia, MO. I'll be saving my fleece. We'll be back in DC (among what JFK called the "Northern Southerners") by late March to climb back up I-95 to mud season in April's Vermont. Wait for our comeuppance then.

And to our fair moist Portland! Forestall your espresso suicide! We return for a summer kiss in endless July. And yes, absence surely makes our hearts grow fonder.  For details on where we’ll be and when, see our rather ambitious and ever-changing tour schedule here.

Oh, yeah, and in the meantime, we’ve recorded a new album (yeah that's right), Boom Stomp King. We cut some new videos too. Stay tuned for details. For now, a little teaser from a tune honoring exploits of Neill Armstrong. (Try beating this for your next FB post, "Took one small step on extra-terrestrial heavenly body today.")

Thanks for your support,
George and Jess

best albums of 2014: #2

pontiak INNOCENCE (thrill jockey)

the only musical culture i was aware of through most of the 90s was that of stoner rock and other pub bands touring in broken down vans. for all of the 00s, i was out of range of even that and most other direct american influence. for the past four years, i’ve only been further submerged in the remote parts of eastern cascadia. that is why i am only barely conscious of the fact that queens of the stone age became a major label, arena rock band (what the hell?).  needless to say, i never knew about bands like pontiak, even though they are now ten albums into a blistering rock career. thus, i should like to thank the planners of treefort ’14 for scheduling pontiak just before wooden indian burial ground to ensure that i was finally, and properly, introduced.

to instantly become a rabble rouser favorite, a band could, say, begin their show toasting each other to shots of tequila before launching into the most raucous screaming guitars. no wonder they spent most of the rest of the year touring northern europe, where the most appreciative audiences of true garage noise exist.

to create an instant rabble rouser classic, an album could, say, begin with the singer yelling “waaaysted, in the streets!” and launch into the same raw, driving chords they do live. that first song, the title track to the album, which i assume is an ode to tweekers, turns out to be a fair indicator of the album, though things get waaaay better. it is a great kickstarter for lacklustre rush and ghosts, which are the most respectable stoner rock power, reminiscent of nebula’s heyday.

pontiak does let off the throttle though, and shows a softer side, which is where most of their detractors seem to point out flaws. the reviews i’ve read seem either indifferent or flat out opposed to the album’s ballads. i hope those crappy reviewers get paid less than i do, because noble heads and wildfires sound straight out of obscured by clouds sessions. it was said that these ballady songs sounded out of place, though it’s not like the songs are sandwiched in between primal screamers. pontiak breathes out the fury and then settles down. it’s not like, after ten years, a band isn't allowed to relax a bit. and it’s not like listeners need to neurotically eat their own turntables either.

no one who saw pontiak perform it’s the greatest on KEXP would be caught dead saying the ballads suck. listeners that only want the sheer force can rejoice, i suppose, in the fact that side two has only one slow song. pontiak ends we’ve got it wrong with a message, “we know we’re right.” considering i’ve listened to 200+ albums this year and haven’t found anything close to as glorious as this, i am not sure any half-witted critic can make a better record.


best albums of 2014: #1

 hallowed oak (happily family records) 

the numbering of the top albums list really is somewhat of a meaningless triviality.  any of the albums on the list could have been number one. hallowed oak coming in first is kind of like a freshman winning the heisman trophy. it probably should never happen, but newness often holds an extra attraction. this self-titled album just happened to match my moods the most and influence my life for three straight months.

most of what i know about hallowed oak comes from a thirty second conversation standing in line behind the singer waiting to use the bathroom. they are a seven piece, though i only saw two, who moved from fort collins to boise in the middle of summer just as their debut album was being released. the most amount of information known about the band seems to be the names and instruments of the rotating cast of seven musicians on their bandcamp site. the only other thing i know is that collin ingam’s website is suspended. if you can find anything more about the band, please do let me know.

the seven piece band is used extremely economically. the structures are basic and mostly soft, making the album relaxing. but the crafty mix is what makes this album. the pieces are layered in a way that gives a feeling of walking through a maze. the songs sound as though they recorded themselves, either that or the band has a well-seasoned studio tech. i don’t like to compare bands and albums to others the way promoters always do, but this album is clearly from another time. it sounds about forty years old, like some early 70s recording where nick drake joined big star. the closest thing to today would maybe be mid 90s smog. i don’t know, but that’s some testament to how focused this album’s production is

the production results for the listener creates something somewhat like starting from a trailhead in the foothills, thinking you might want to hike to the summit, only getting easily distracted by the first river you cross. The album holds an eager anticipation, and grinds upward, but then revels in its own mission content with encountering a glacial runoff that turns into a crystal clear river.

the intro notes of anything personal suggest tension about to explode. but the band really makes you wait for it. lyrically, the first four songs seem to be the travelogues of a wandering soul, dealing with the loss of love the songs are somewhat self-introspective, singing to a foreboding. this leads to not worrying about the loss. but don’t worry, this is not an emo thing.

next autumn is the where the wanderer has found his answer. it is also the most powerful song on the album. the power of having gotten to the end of the week, to the holidays, some time off work, going assuredly down the road.   that’s the content and the strength level of the song. you will sing it over and over. it makes you forget about the explosion that seemed eminent from the beginning. muscle music, then, is a surprise rock song by the time hallowed oak gets to it, but it doesn't deviate from the journey’s lesson in retelling the stories of the wanderer. oh glory is the most complex of the arrangements. the sounds are sweet and bubbly, holding the promise of better times. somewhat of a precursor, because, though the wanderer has found a temporary reprieve in the penultimate track three words, he’s still find himself taking too much time even if he seems to have collected himself.

i am not the biggest fan of love stories, but hallowed oak paints a picture with the right colors, and are certainly open and honest. the story also transcends being about love at all. it calls for numerous listens, but for the story part of it, the end needs to be listened to more because the last three tracks aren't too clear about an ending. this album brings to mind the last time i was so excited about a large orchestral band’s first album. that was buffalo death beam, but they broke up before a second album. hallowed oak can’t break up, they still have a story to finish.